RyanAK
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Once scalped…
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Post by RyanAK on Jul 17, 2022 12:22:40 GMT -7
I’m working on two fine linen shirts. Each will have slightly different details appropriate for the 1750s. It took me just about two weeks off and on just to get to this point: Hem the 2x 60” non-selvage edges on six yards of 5.3 oz/yd2, 49 threads per inch, bleached linen. Wash on hot. Wash on hot again. Dry on hot. Iron. Iron again. Layout pieces for 2x shirts. Pull threads for the long, straight cuts. Cut. Cut. Cut. Measure. Cut. Measure. Measure. Cut cut cut. Mark pieces with thread tags since each shirt is slightly different. Golly! Now we can get to the enjoyable part of sewing. 🤓
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RyanAK
City-dweller
Once scalped…
Posts: 973
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Post by RyanAK on Jul 19, 2022 15:19:50 GMT -7
It seems that textile and costume historians find it difficult to narrow down an extant shirt to an specific decade, but some universalities seem to exist among shirts in the mid-18th century. The common ‘truths’ seem to be: 1. The general pattern and method of construction. Common and fine shirts were essentially made in like manner, differing only in material quality and ‘fancy’ details. The shirt is a series of squares, rectangles and triangles. Curvature to match a body is created by gussets and gathers. 2. Shirts in the era were ‘underwear’ and because of this, period images showing details of the shirt are tough to come by. 3. The quality of construction was at a VERY high level, even for ‘coarse’ shirts. 4. The investment in time to construct was great, and shirts were highly valued. I’ve tried to limit my research to pre-AWI, but it’s a tough row to hoe. I’ve made my best assumptions as to age of artifacts and images. Fashion was fluid, and within reason, some variation was apparent. One thing that stands out to me is that the ‘common wisdom’ for details such as collar and cuffs aren’t as cut and dry as many would have us believe. Here’s my first example, likely 1750s-1770s. Note the very fine gathers at the sleeve bands, shoulders, and neck. The sleeve bands are narrow, likely ~1”. The collar differs from what many believe is the ‘correct’ period collar in that it is quite tall. When studying period images, mid-century fashion offered several ‘proper’ ways for men to wear neckwear, including over a tall collar. The neck kerchief could also be tied and the collar turned down over it. Or… the collar turned down and the neck kerchief tied over the turned-down collar. Note the arm/shoulder seams are well off the natural shoulder and the sleeves are quite full. Note the collar and cuffs in this c.1740s image.
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RyanAK
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Once scalped…
Posts: 973
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Post by RyanAK on Jul 20, 2022 8:57:55 GMT -7
A detail to show the extremely high quality of hand stitching that was ubiquitous on 18th century shirts. Also note the very fine gathers that give the shirt its rounded shape. This is a high res image. Zoom in!
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Post by spence on Jul 23, 2022 8:14:23 GMT -7
I have come across many references to "sleeve buttons", used in such a way as to make me believe they are speaking of what we call cufflinks, today. Researching them I see that they might go back to the 1500s, and that they were very common by mid-18th century. The term "cifflinks" was first recorded in 1887, but they were apparently a lot older than that under another name. Have you seen any original shirts made for links?
Back in the very beginning of my experience in re-enacting I made four shirts, one of which has ruffled cuffs for links and an accompanying stock. I eventually went off in another, much less formal, direction in my impression, never used the shirt at all, but have always been curious how HC it was.
Spence
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RyanAK
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Post by RyanAK on Jul 23, 2022 8:33:38 GMT -7
Yup. They’re literally everywhere in the archeological record. Michilimackinac to the Themes. They were basically two small metal buttons with a wire link. Small oval or octagonal found buttons are most likely sleeve links.
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RyanAK
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Post by RyanAK on Jul 23, 2022 8:34:49 GMT -7
Reproductions based on found examples.
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coot
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Post by coot on Jul 23, 2022 9:21:51 GMT -7
18th c sleeve buttons are similar to modern cuff links but work somewhat differently. With modern cuff links, there is only one good (dressy) side and one toggle side. They are used on shirts with "french" cuffs where the two link holes overlap each other. 18th c sleeve buttons on the other hand consist of two pairs of small buttons, each pair linked by a short metal wire (or more rarely, thread). The buttonholes in the two sides of the shirt cuff butt against each other without any overlap. When the sleeve buttons are installed, both buttons in each pair show & make a sort of "figure eight" pattern on the cuff. When looking at extant garments, it is easy to tell if the shirt was made to use thread buttons (only 1 buttonhole in each cuff) sleeve buttons (cuff is too small for the buttonholes to overlap at the wrist) or modern large overlapping cuffs for the newfangled cuff links.
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Post by spence on Jul 23, 2022 9:32:12 GMT -7
There seems to be a great number of originals, many images of them in the antiques market. I've found references to them made from brass, silver, gold, glass, crystal stone, 'pebble', stamped metal and stone. Spence NB Ran across this page with images of original 18th-century shirts, several of which have quite long cuffs.
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RyanAK
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Once scalped…
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Post by RyanAK on Jul 23, 2022 10:12:21 GMT -7
Great info, Coot.
Ive read numerous times that sleeve links were common for all classes and not just an affect of the wealthy.
Cuffs… because it’s so hard to nail down a date, even to a decade, on extant shirts, it’s tough to determine when cuff styles were prevalent. Rural Pennsylvania Clothing shows many surviving shirts with a wider cuff, some with lovely topstitching, motifs or ‘mice teeth’ threadwork. But they often aren’t specifically dated. I’m trying to go through period images to see if a wider cuff was around in the 1750s, which is what I had to do with collar styles. Trouble is cuffs are often not as prominent as collars in these images.
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Post by spence on Jul 23, 2022 10:37:26 GMT -7
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RyanAK
City-dweller
Once scalped…
Posts: 973
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Post by RyanAK on Jul 23, 2022 10:56:35 GMT -7
I adore this image for a number of reasons. Sleeve links!!
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Post by artificer on Jul 23, 2022 18:00:57 GMT -7
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Post by spence on Jul 23, 2022 20:34:17 GMT -7
How about a 1764 Lady wearing sleeve buttons? This could be a 1739 instance of the same. THE SOUTH CAROLINA GAZETTE February 22, 1739 Charleston, South Carolina TO BE SOLD by Sobieskie Strahan Milliner, at her Shop at the lower End of Tradd street near the Bay, several valuable Rings and Ear-rings set with Diamonds, and other precious Stones, sundry very handsome Gold & Silver Snuff-Boxes, and Lady's Gold Seal & Sleeve Buttons, 6 large Silver Spoons and a sett of new fashion tea ditto, likewise all sorts of Millinary Ware. Spence
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RyanAK
City-dweller
Once scalped…
Posts: 973
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Post by RyanAK on Jul 24, 2022 11:11:05 GMT -7
Here’s an 18th century shirt with wide cuffs. It can’t be precisely dated, so we’re left guessing when the style became prevalent. Also on this shirt is seen the very common cross-stitch owner’s initials and shirt number.
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RyanAK
City-dweller
Once scalped…
Posts: 973
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Post by RyanAK on Jul 31, 2022 8:48:54 GMT -7
What goes into making a shirt? That’s 20,619 stitches. From Two Nerdy History Girls: “The Margaret Hunter seamstresses took these calculations a step further. Working an average of 30 stitches per minute at a gauge of 10 stitches per inch, it would take approximately eleven and a half hours to stitch a shirt. Of course that doesn't take into account the time for cutting threads, finishing a thread, or threading needles, nor for cutting out the pieces to be sewn, and it also doesn't make allowances for the individual seamstress's speed. While the needles in the Margaret Hunter shop seem to fly, the ladies freely admit that they'd probably be considered slow in comparison to their 18thc counterparts who sewed from childhood.” What was the value of a shirt? Per Congress, 1776: Two lowly shirts were nearly the equivalent to a Regimental coat and valued the same as a pair of buckskin breeches and two linen or woolen breeches.
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